Mike McCready is the lead guitarist and, along with Jeff Ament and Stone Gossard, a founding member of the American rock band, Pearl Jam.

Let's see what Pearl Jam's Mike McCready's Guitar Gear Rig and Equipment looks like.

Mike McCready live with Pearl Jam

Want to sound like Mike? Click the gear for more info & to buy at Musician's Friend

Guitars
- 1952 Fender Telecaster Blonde Finish

- 1953 Fender Telecaster Blonde
- 1956 Gibson Les Paul Black

- 1956 Fender Stratocaster Sunburst Finish

- 1958 Fender Stratocaster Sunburst Finish
- 1958 Fender Stratocaster Sunburst Finish Left-handed Body
- 1959 Fender Stratocaster Sunburst finish Rosewood fingerboard/maple neck
- 1959 Gibson Les Paul Orange/Sunburst Finish (?) 1995 Reissue

- 1959 Fender Stratocaster White Finish
- 1959 Fender Stratocaster Sunburst Finish Reissue
- 1960 Gibson Les Paul Gold Finish 1996 Reissue

- 1960 GIBSON Les Paul Classic in Honeyburst

- 1962 Fender Stratocaster Sunburst finish

- 1962 Fender Stratocaster Black finish Japanese Reissue
- 1965 Gibson SG Blue finish used during the Binaural sessions
- 1968 Gibson ES-335 Red Cherry finish

- 1968 Fender Telecaster Natural finish Bigsby Tremolo

- 1968 Gibson Hummingbird Acoustic

- 1960's Gretsch Chet Atkins Orange finish Bigsby Tremolo

- 1972 Gibson Les Paul Black finish; 3 humbuckers - Trashed at the MTV VMAs during 'RITFW'
- 1970's Ibanez Flying V
- 1980's Gibson Flying V Black finish

- 1991 Gretsch Silver Jet Reissue

- 1990's Gibson Dobro DM-33
- Fender Mark VI
- Rickenbacker 660-12TP Sunburst finish Gift from Tom Petty - on 'Not For You' & 'Corduroy'
- Gibson Firebird Phthalo Blue Finish Non-reverse model
- 2001 James Trussart Telecaster Bigsby Tremolo


Amps and Cabinets
- Matchless HC-30 Head
- 2000 Trentino 30w Amp
- Marshall Plexi 50Watt Head

- Straight front Marshall Cabinet 1960B 4x12"

- 1972 100w 4x12 Straight front Marshall Cabinet

- Fender Bassman Combo 1959 Reissue / 4x10

- Fender Twin Tweed / 2x10

- Orange Cabinet / 4x12
- '69 100-watt Marshall Super Tremolos that have had the tremolo disconnected by Sal Trentino
- Mesa/Boogie Studio Preamp
- Vox AC-30 amps

Effects and more
- Dunlop Crybaby 535Q Wah pedal

- Hughes & Kettner Rotosphere

- Ibanez TS-9 Tube Screamer

- Fulltone Distortion Pro
- Boss DM-2 and DM-3 Delay
- Line 6 DL-4 Delay

- Line 6 MM-4

- Greedtone Distortion Pedal
- Boss OC-2 Octave

- Jester Enterprises Hydra Tube Splitter
- Furman PL-Plus Power Conditioner

- Sony WRR-840a Wireless Receivers
- Mesa Boogie Studio Pre-Amp
- VHT Classic G2150

- Fender Blender pedal

- MXR Phase 90

- Dunlop Univibe

- MXR Dyna Comp

- Ernie Ball 6165 Stereo Volume/Pan Pedal

- MXR Phase 100

- e-Bow (used on the studio recording of "Rearviewmirror")
- Sansamp Distortion 

- Dunlop Slides (Glass, Brass, and Ceramic)

Strings and picks
- GHS Boomers (.010-.046) and also .011's

- Fender Bass VI (.025-.095; used on "Help, Help" studio recording)

- Martin M150 Bronze Wound Acoustic Strings

- Dunlop Tortex .88mm guitar picks

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